All recordings are given the same attention to detail. From movies & commercials to corporate productions & documentaries. Employing top of the line mixers and microphones.

Feature film credits: “The Newman Project,” “The Gift,” “Apartment #2,” “Reflection Free,” “Effigy,” “The Crazy Days of Summer,” “Furious Seasons,” “Therapy Session,” “Troglodyte World,” “The Restaurant,” “Happy Hour,” “King of the Skins,” “Insecurity,” “An Ordinary Killer,” “For Real,” “Dark Shadows Falling,” “Breaking Point,” “Wicked Spring,” “Mystic Motel,” “Standalone,” “No Retreat From Destiny,” “The New World,” (second unit and sound design) “Crazy Eights,” “The Traveler,” “Southern Gothic,” “Scarlet Letters,” “Pretzels & Pills (Disconnected)”.

Documentary/Television credits: “Medical Detectives,” TLC/Medstar, “Edgar Casey Story,” “Junior High,” “The Real World,” “Road Rules,” MTV, “Virginia Retirement Objectives,” Environmental Protection Agency, Cancer Research - University of Virginia, “National Support for the Arts,” Kennedy Center, “American Legacy,” PBS, “Biography,” A&E, “FBI Files,” “The New Detectives,” Discovery Channel,  “Good Morning America on Location,” CBS News, “It’s a Miracle,” PAX-TV, “Americas Most Wanted,” Fox-TV, “A Makeover Story,” TLC, “NASA’s Personal Air Vehicle,” Discovery Channel Canada, “Poplar Forest: Jefferson’s Vacation Home,” The History Channel,  “LOST,” NBC, “A Look Back,” AMC, “Save our History,” The History Channel, Animal Planet, “Survivor Australia,” CBS, “Werewocomoco, Chief Powhatan’s Lost Village,” Discovery Channel Canada, “Final Cut,” HBO, “Grieving,” “Slavery Memorial,” “Backpack Angels,” “History’s Mysteries,” The History Channel, “Secrets of the Millennium,” Showtime, “Women of the Civil War,” National Civil War Museum, G4 Tech TV (Circuit City commercials), “Moving Up,” BBC America, “Double Agents,” Beyond Productions, “Bob Dylan/Gods and Generals,” Cross Road Films, “Avoiding Armageddon,” PBS, “Driven,” VH-1, “Frontline,” PBS.

Corporate credits: Crucible Film Works (MD), Premier Film Works, Fiat Lux Films, Park Production Group, BES Television, 311 Productions, Fredericksen Television Productions, Harmony Pictures (CA), The Kennedy Center, Yorktel, Mary Perillo, Inc. (NY), Edge Production Group, Virginia Reel LLC, Smith & Hall Productions, Burly Bear Network (NY), Cavalier Films, 900/Pictures, EAF Productions, Maxwilde Productions (NY), Medstar Television (PA), Circuit City, Mainstreet Film Production Group International(DC), Nagy Film & Video, Banyan Productions, Defense General Supply, Maslow Media Group, Avalar Productions, Inc., LionHeart Film Works, Martin Agency, Haily Films, Neue Sentimental Film USA, E-Network, Nanco (MD), Towers Productions (IL), Roland House, High Road Productions (Toronto), Nvision(NY), Arena Productions, Max Films (PA), Runaway Entertainment INC., Ikoya Productions, Dreams Factory, ICT Productions (CA), Collective Developments, JWM Productions, Dekter  Films (CA), Cerebellum Interface Media, Taxi Films (CA), Freewill Films (NY), Films Pich Farrari (Quebec), National Neue Sentimental Films USA (CA), Radical Media (NY), Sandler-Innocenzi,  Coastal Training Systems (VA), Advanced Medical Productions, Lone Wolf Documentary Group(ME), Beyond Productions, Work inc, The Two Popes Films, Cross Road Films, Food Chain Films(CA), HKM Productions (CA), MRB Films (VA), Park Pictures (NY), Shark Work Entertainment(CA), TBA Global Events, Hill Holiday (Agency), Elevation (Agency), Eleventh Day Entertainment, Lone Star Film.

Industrial/Educational credits: Unisystems, Corvis Technologies, NASA Research and Technology, Cisco Systems, Invensys, Gateway Computers, Capital One, Circuit City Expo, Xperts, DuPont, Environmental Protection Agency, Dewalt Corporation, HealthSouth, The Hermitage, MCV, Smurfit Stone, UVA Hospital, Luck Stone, Owens-Minor, The Veterans Administration, Objective Force, Tobacco Settlement Foundation, Yorktel, Skanska International, Exxon/Mobil Corp., Department of Justice, U.S. Navy, Honeywell, TSA, USO, Mars Candy Company, Kraft, Walmart, Philip Morris USA, Altria, Norfolk Southern Rail Road, AOL, Intel, Lockheed Martin.

Commercial credits: Southern States, Virginia Lottery, North Carolina Company, Ford Motor Company, United Airlines, Haynes, S&K Men’s Wear, Chesapeake Corporation, CarMax, AMF Bowling, Boyers Jewelers, Virginia Power, Domestic Violence PSA, Circuit City Stores FCM Corporation, Bassett Furniture, DIVX, America One, Blue Cross/Blue Shield, Microsoft, Capitol One, Media One, Crown, Coca-Cola, Tanger Outlet Centers, Pepsi/Slice, Norfolk Southern Rail Road, New Holland Tractors and Equipment, Northern Neck Ginger Ale, Richmond Symphony, Invensys, City Shoes, Coxx Communication, Bloom Brothers, Dominion Power, Massey Cancer Research, U.S. Navy, U.S. Army, Kings Dominion, Verizon, HealthSouth, Kroger, Virginia Department of Tourism U.S. Department of Agriculture, American Family Fitness Centers, ALLTEL, Virginia Lottery, PSA -- Harley Davidson, Super 8 Motels, Jimmy Dean Foods, nTelos Cellular, PSA – Partnership for a Drug Free America, Sheetz, Greg Ryberg for SC Treasurer, Bon Secours Hospitals, Atlantic Golf Courses, Faith Foundation, Volkswagen, Room Store NASCAR(CRT) AOL, Microsoft/Intel, Comcast Spotlight, Home Depot/TLC,  Sheetz, Mary Washington Hospital(MRB), Land America, Verizon, GreenPeace.

Audio Engineer/Audio Post-Production Supervisor

William has over 15 years of experience in audio production with global, national, and local productions for television, radio and feature films.

He is an audio production professional that specializes in location sound recording and mixing as well as post-production sound design.

William provides location sound recording utilizing state of the art equipment and techniques, from analog to digital and for any medium. 
He offers pre & post scoring of music and sound design for picture.

An extensive sound effects library as well as live Foley recording gives programs true authenticity.

William provides a complete state of the art surround sound mixing environment and DTS encoding for 5.1 to 12.1 surround applications.

In the Location Sound Department, by employing top of the line mixers and microphones, he strives for excellence in capturing audio for film and video in all formats.